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The Hangover Part III (2013)

May 24, 2013

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written by: Todd Phillips and Craig Mazin

produced by: Todd Phillips and Daniel Goldberg

directed by: Todd Phillips

rating:  R (for pervasive language including sexual references, some violence and drug content, and brief graphic nudity)

runtime: 100 min.

U.S. release date: May 23, 2013

 

While I liked 2011′s “The Hangover Part II”, I can’t admit it was the most original story. I liked it almost in spite of itself. It was inevitable, wasn’t it? In the age of the unnecessary sequels, it was only a matter of time before there was another follow-up. Naturally, I was a little concerned/suspicious/wary of a second sequel, but I’ve invested this much time so one more movie wouldn’t kill me. And away we go with 2013′s “The Hangover Part III”.

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This Week on DVD & Blu-ray (05-21-13)

May 23, 2013

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NOTE: It appears I was incorrect when I announced that Steven Soderbergh’s latest “Side Effects” was recently released – It comes out this week.  So, I encourage you to check out the potentially last Soderbergh film as it is quite a surprising thriller, especially considering how refreshingly different the film is from its trailer. Well done. And then there’s Arnold Schwarzenegger, who returned to headlining a film this past January with “The Last Stand”, the American debut of South Korean director Kim Ji-woon. It’s in no way classic Ah-nuld, but it has a classic Western tale to it and it plays to action icon’s age. It may be predictable and cheesy, but it’s also a bloody good time. “Parker” is another tough guy movie that came at the same time and stars Jason Statham in the titular role. It’s actually the latest adaptation of writer Donald E. Westlake’s (under the pseudonym Richard Stark)Parker character. This was diretor Taylor Hackford’s (“Ray”)stab at film noir and although I haven’t seen it yet, but it looks like it has a miscast lead and that’s not a good sign. 

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Star Trek Into Darkness (2013)

May 19, 2013

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written by: Roberto Orci, Alex Kurtzman and Damon Lindelof

produced by:  Bryan Burke, Roberto Orci, Alex Kurtzman & J.J. Abrams

directed by: J.J. Abrams

rating: PG-13 (for intense sequences of sci-fi action and violence)

runtime: 133 min. 

U.S. release date: May 15, 2013 (IMAX) and May 17, 2013 

 

“Star Trek Into Darkness” comes four years after director J. J. Abrams gave us “Star Trek”, a highly exhilarating reboot to a beloved science fiction film franchise that was dried up and limbo. It was a bold, fresh and much-needed take on characters that were introduced back in the 60s by Gene Roddenberry. Boosted by a young, impeccable cast and a clever screenplay, Abrams and company confidently reestablished a sense of awe that had fans anticipating where this Enterprise crew would boldly go next. While still visually stunning and full of infectious camaraderie, the sequel lacks the same freshness that was present in the previous film. Regardless, at the end of this film I felt the same way I did when the last one was over – I didn’t want it to end.

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The Thieves (2012)

May 16, 2013

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written by: Choi Dong-Hoon and Lee Gi-cheol

produced by: Ahn Soo-hyeon

directed by: Choi Dong-Hoon

rating: none

runtime: 136 min.

U.S. release date: October 12, 2013

DVD/Blu-ray release date: February 12, 2013

 

So I kinda like heist films if you haven’t figured out. I’ll give them all a shot no matter the positive/negative reviews. It’s getting more difficult to find new ones though, even lesser known heist flicks from the past. In other words, it takes some digging to find any entries I haven’t seen. Here’s the latest find, a 2012 South Korean heist flick, “The Thieves”.

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This Is 40 (2012)

May 15, 2013

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written by: Judd Apatow

produced by: Judd Apatow, Clayton Townsend and Barry Mendel

directed by: Judd Apatow

rating: R (for sexual content, crude humor, pervasive language and some drug material) 

runtime: 133 min.

U.S. release date: December 21, 2012

DVD/Blu-ray release date: March 22, 2013

 

Released in 2007, Knocked Up was a more than worthy follow-up to director Judd Apatow’s surprise success with “The 40-Year Old Virgin”. It was an uneven-if-funny flick with a whole lot of talent assembled and a decent amount of laughs. Apatow takes a few key characters from ‘Knocked’ and hits us with a quasi-sequel, 2012′s “This is 40″.

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This Week on DVD & Blu-ray (05-14-13)

May 14, 2013
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“Cloud Atlas” is now out, so you can watch it with subtitles and try to decipher what the heck  native Halle Berry and Tom Hanks were talkin’ about in the future!  Boasting an enormous ensemble cast, who all play multiple roles within the six interlocking storylines that spans a variety of genres, this was a film that received mixed reactions. Co-directed by the Wachowski siblings (“The Matrix”) and Tom Tykwer (“Run Lola Run”), the ambitious feature is more impressive than it is successful, but reagrdless, it’s not a bad viewing experience. It’s definitely better than the latest “Texas Chainsaw Massacre” movie that came and went within a matter of weeks in January. I didn’t even bother with the 3D debacle. I’d rather visit a classic, like Delmer Daves’ “3:10 to Yuma”  from 1957 starring Glenn Ford and Van Heflin, which recently received the Criterion treatment. If you only know the James Mangold remake then you should check it out.
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The Great Gatsby (2013)

May 11, 2013

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written by: Baz Luhrmann and Craig Pearce

produced by: Baz Luhrmann, Douglas Wick, Lucy Fisher, Catherine Martin & Catherine Knapman

directed by: Baz Luhrmann

rating: PG-13 (for some violent images, sexual content, smoking, partying and brief language)

runtime: 143 min.

U.S. release date: May 10, 2012

 

The best scene in “The Great Gatzby”, Baz Luhrmann’s spectacle leaden adaptation of F. Scott Fitzgerald’s ‘Great American Novel’, away from the pulsing soundtrack and rollicking parties flowing with booze, floating confetti and dazzling fireworks. It takes place in the second half of the movie, on a sizzling summer day at the Plaza Hotel, where all the main characters are gathered in a stuffy hotel suite. This is the rare time in the movie where confrontation occurs and motivations revealed. It’s what I consider the emotionally potent climax of the film. Unfortunately, everything before and after that scene is all pomp with very little circumstance or emotional investment.

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