written by: Richard Glatzer and Wash Westmoreland
produced by: Christine Vachon, Declan Baldwin and Pamela Koffler
directed by: Richard Glatzer and Wash Westmoreland
rating: R (for some sexuality and language)
runtime: 88 min.
U.S. release date September 06, 2013 (TIFF), August 29, 2014 and September 05, 2014 (limited)
There’s no trace of Robin of Locksley in “The Last of Robin Hood”. It’s a title merely to get your attention. If you want to see Robin Hood in his twilight years, you’d do best to check out Sean Connery in 1976’s “Robin and Marion”. This somewhat boring melodrama focuses on the last couple of years in the life of actor Errol Flynn, the controversial lothario who, in his late forties took on a 15 year-old girl as his paramour. If that sounds kind of skeevy, well it is, and as much as writer/directors Richard Glatzer and Wash Westmoreland try to romanticize the relationship, the aura of uneasiness permeates the entire picture.
written by: Michael Finch and Karl Gajdusek
produced by: Beau St. Clair, Pierce Brosnan and Sriram Das
directed by: Roger Donaldson
rating: R (for strong violence including a sexual assualt, language, sexuality/nudity and brief drug use)
runtime: 108 min.
U.S. release date: August 27, 2014
Dropping a Pierce Brosnan spy thriller during the last days of August does not bode well for anyone encouraged by the thought of the actor getting back into the genre. The trailer and TV spots hope you’ll get excited at the sight of Brosnan back, but there is this element of them trying to sell it as Old Man Bond. Considering the time of year it’s hitting theaters and the fact that Relativity Media hasn’t really had a huge marketing push behind it (the lame posters don’t help), it’s understandable how one might approach “The November Man” with a certain amount of trepidation. So, maybe because my expectations were put aside, I found this somewhat flawed film to be quite an engaging and kind of unpredictable feature. Surprise surprise.
written by: Frank Miller
produced by: Sergei Bespalov, Aaron Kaufman and Stephen L’Heureux
directed by: Robert Rodriguez & Frank Miller
rating: R (for strong brutal stylized violence throughout, sexual content, nudity and brief drug use)
runtime: 102 min.
U.S. release date: August 22, 2014
It’s August. Generally considered to be the month where studios release whatever summer releases they have left as they prepare for fall. Most comic book related movies have typically already been released, except this year. “Sin City: A Dame to Kill For” is the third movie based on a comic book to be released this month and surprisingly, the first two “Guardians of the Galaxy” and “Teenage Mutant Ninja Turtles”, have been the biggest hits of the summer. This sequel will draw a predominately different kind of audience though.
written by: Creighton Rothenberger, Katrin Benedikt and Sylvester Stallone
produced by: Avi Lerner, Kevin King-Templeton, Danny Lerner, Les Weldon & John Thompson
directed by: Patrick Hughes
rating: PG-13 (for violence including intense sustained gun battles and fight scenes, and for language)
runtime: 126 min.
U.S. release date: August 15, 2014
If you’ve followed my reviews over the years you may recall I have absolutely no issues with old dudes mowing down faceless bad guys and creating an excessive amount of collateral damage. It’s become the norm to poke fun or roll your eyes at these leathery sextagenarian (at this point, even septuagenarian) actors who remain in the genre they’re known best for. I’ll take the action veterans of “The Expendables” movies over any new blood that other action movies try to sell us as the next best thing. I appreciate what Sylvester Stallone and company were doing with the first two movies, but “The Expendables 3”, with its tedious recruiting montage, a terrible injection of youth and a sad attempt at addressing aging, wore me down and ultimately bored me.
written by: Nicole Perlman and James Gunn
produced by: Kevin Feige
directed by: James Gunn
rating: PG-13 (for intense sequences of sci-fi violence and action, and for some language)
runtime: 122 min.
U.S. release date: August 01, 2014
As a rule, I try not to get my hopes up to high for movies. Although, I do my best to remain an optimist, I’ve been burned before and I kind of tend to ease up on the level of anticipation I maintain for certain movies. Well, all the trailers and the updates on co-writer/director James Gunn’s Facebook account reassured me that Marvel Studio’s latest comic book flick, “Guardians of the Galaxy” was going to be something special. Guess what? It is something special and it’s also quite a gamble and actually something of a game changer.
written by: Micah Bloomberg and Rose Lichter-Marack
produced by: Andrew Neel, Veronica Nickel, Dave Saltzman & Craig Shilowich
directed by: Sam Fleischner
rating: no rating
runtime: 102 min.
U.S. release date: May 23, 2014 (New York) & July 18, 2014 (limited)
There have been enough missing-child thrillers over the years to categorize them as a sub-genre. Usually, they involve an abduction, suspects and an official investigation of some sort, while worried parents or guardians are left to feel helpless or take matters into their own hands. However, director Sam Fleischner’s powerful new film “Stand Clear of the Closing Doors” involves none of those conventions. He instead relies heavily on the building emotions in the aftermath of a child’s disappearance and the sound and vision from the perspective of the missing child. It’s a refreshingly interesting approach to a familiar subgenre, leaving the audience with several memorable moments and causing them to notice life in a different way.