BATMAN AND HARLEY QUINN (2017) review
written by: Bruce Timm and James Krieg
produced by: Alan Burnett
directed by: Sam Liu
rated: PG-13 (for sexual content, language, violence and action, and for rude humor)
runtime: 74 min.
U.S. release date: August 14, 2017 (theatrical), August 15, 2017 (digital) and August 29, 2017 (VOD/digital & DVD/Blu-ray)
Last summer, Fathom Events held a successful one-night only nationwide screening of a new DC Animated Universe feature “Batman: The Killing Joke”, based on the popular 1988 standalone graphic novel. Although, it was pretty awful, it wound up grossing $4.4 million worldwide, so it only makes sense that Warner Brothers/DC Entertainment is trying that again this summer with the ineptly-titled “Batman and Harley Quinn”, directed by Sam Liu, the same guy responsible for the controversial “The Killing Joke”. Some have already seen it at the world premiere screening last month at SDCC (that’s San Diego Comic Con), but now everyone else will get a chance to see it before it comes to digital platforms the very next day and DVD/Blu-ray on August 29th. Considering Liu’s last Batman adaptation was a letdown, I went into this viewing with tempered excitement. Read more…
WIND RIVER (2017) review
written by: Taylor Sheridan
produced by: Elizabeth A. Bell, Peter Berg, Matthew George, Basil Iwanyk & Wayne Rogers
directed by: Taylor Sheridan
rated: R (for strong violence, a rape, disturbing images, and language )
runtime: 111 min.
U.S. release date: August 11, 2017
It’s hard to think of another genre screenwriter who’s been doing a consistent bang-up job with each go around, but Taylor Sheridan has certainly proven his mettle with great storylines for “Sicario” and “Hell or High Water”, directed by Denis Villeneuve and David Mackenzie, respectively. His latest, “Wind River”, premiered earlier this year at Sundance, and it’s being described as the final movie in his ‘frontier trilogy’ completes with themes of vengeance and justice set on the fringe of a cruel and (unfortunately) familiar modern-day environment. The three movies may not be populated with the same characters or set in the same locations, but the tone and feel of each easily connects them as cinematic cousins. For “Wind River”, Sheridan takes the helm and displays an assured ability to deliver a movie that can sit confidently alongside his recent highly-regarded films. Then what issues do I have with the film? Read more…
KIDNAP (2017) review
written by: Knate Gwaltney
produced by: Gregory Chou, Lorenzo di Bonaventura, Erik Howsam, Joey Tufaro, Taylar Wesley & Elaine Goldsmith-Thomas
directed by: Luis Prieto
rated: R (for violence and peril)
runtime: 95 min.
U.S. release date: August 4, 2017
After the release of “The Call” back in 2013, Halle Berry spent the following year around New Orleans filming another thriller, hoping to repeat that movie’s surprising and unexpected box office success. “Kidnap” was filmed during the last two months of 2014 and, supposedly due to the financial woes of Relativity Pictures, the movie blew past four release dates in 2015 and 2016, as well as a release date this past March that didn’t pan out. Another distributor, Aviron, acquired the movie and decided to drop it in August of this year (because next January is too far away). All of this drama usually indicates the movie involved is a dud and that would be the case with “Kidnap” – with a lame tagline like “Vengeance is a Mother”, what do you expect? Read more…
DUNKIRK (2017) review
written by: Christopher Nolan
produced by: Emma Thomas and Christopher Nolan
directed by: Christopher Nolan
rated: PG-13 (for intense war experience and some language)
runtime: 106 min.
U.S. release date: July 21, 2017
Throughout his two-decade career as a writer/producer/director Christopher Nolan has made it known that he loves cinema. It’s become apparent simply by looking at his process and the outcome of each of his projects. Nolan is a craftsman, showing with each film his ability to adeptly and impressively orchestrate breathtaking visual spectacle and technological achievement to tell the story he wants to tell. That’s exactly what happens with “Dunkirk”, Nolan’s highly-anticipated war film which sets out to drop viewers into a World War II experience like no other. It’s an ambitious and exhausting achievement, paying tribute to those who tried to survive, defend and rescue, during insurmountable odds against them. It’s a simple, straightforward story uniquely told – if only he added subtitles or maybe only understanding 10% of the dialogue was Nolan’s way of accomplishing full immersion. Read more…
FIRST KILL (2017) review
written by: Nick Gordon
produced by: Randall Emmett, George Furla and Mark Stewart
directed by: Steven C. Miller
rated: R (for violence and language)
runtime: 97 min.
U.S. release date: July 21, 2017 (AMC Woodridge 18, Woodridge, IL & VOD)
If you’ve been wondering where Anakin Skywalker and John McClane have been, look no further than Granville, Ohio. Apparently McClane is now a sheriff in the small town east of Columbus and has recently run into successful stock brocker Skywalker and his wife and son as he returns to his roots for a family trip away from the big city. What I’m getting at is it’s kind of hard not to think of the two characters Hayden Christensen and Bruce Willis are best known for while watching the mostly bland and predictable action thriller “First Kill” (the generic title is a good indication whether or not this movie is worth your time), the latest from B-movie director Steven C. Miller, who has made a name for himself making VOD crap, populated by a repeat assembly of actors. “Kill List” isn’t putrid, like Miller’s “Arsenal” from earlier this year, but it certainly doesn’t hold up well overall. Read more…
Interview with AMNESIA actress Marthe Keller
Swiss actress Marthe Keller is probably best known for three movies that came out back-to-back in the 1970s. In two of them she stood her own alongside American actors at the point in time when they had hit movie star status. In John Schlesinger’s 1976 thriller, “Marathon Man”, she played Dustin Hoffman’s girlfriend and then she played Al Pacino’s muse in Sydney Pollack’s “Bobby Dangerfield”, released in 1977. That same year, she could also be seen as a terrorist leader in the thriller “Black Sunday”, directed by John Frankenheimer. In all three films, she had a strong, mesmerizing presence that caught the attention of viewers and filmmakers. But, those are just the films she’s most recognized for in her long, illustrious and still very active career. Read more…
Interview with AMNESIA director Barbet Schroeder
After “Barfly”, his underrated 1987 riff on Charles Bukowski, Swiss director Barbet Schroeder produced and directed a handful of intense dramas and thrillers in the early-to-mid 90s. One of which, 1990’s “Reversal of Fortune”, earned Jeremy Irons an Oscar, and the others – the roommate thriller “Single White Female”, a remake of noir classic “Kiss of Death” and the underrated Hitchcockian thriller “Murder By Numbers”, all included some complex characters. His latest drama, “Amnesia”, which premiered Out of Competition at the Cannes Film Festival back in 2015 and is just now receiving a release here in the States, revolves around a pretty complicated character in possibly Schroeder’s most personal film to date. Read more…
