DRACULA (2026) review
written by Luc Besson
produced by: Virginie Besson-Silla
directed by: Luc Besson
rated: R (for violence, some gore, and sexuality)
runtime: 129 min.
U.S. release date: February 6, 2026
In a recent interview, Luc Besson admitted that he isn’t a fan of the horror genre and mainly set out to make a love story that transcends 400 years. In that case, he would’ve been better off writing and directing something along those lines that couldn’t be associated with the countless big-screen adaptations of Bram Stoker’s Dracula. There are estimated to be over 200 of them since 1921. As it stands, the controversial filmmaker seems slightly obsessed with Francis Ford Coppola’s 1992 version, whose title “Bram Stoker’s Dracula” suggests it is a faithful literary adaptation, at a time when audiences’ last frame of reference for the material is Robert Eggers’s “Nosferatu” from 2024. All of this may raise the question, “Why do we have yet another Dracula movie?” Read more…
Sundance 2026: The Huntress (La Cazadora)
By the time writer/director Suzanne Andrews Correa’s feature-length debut, “The Huntress (La Cazadora),” ends, it’s easy to consider how a documentary could cover the same subject matter. Not that it would be better than this riveting narrative feature, but it could certainly expand on it in more detail, because watching this will definitely pique your curiosity. Based on actual events that have occurred in Ciudad Juárez, a place known for its violence against women, many of them who wind up missing or dead, their bodies found in shallow graves in the Chihuahuan Desert, near the U.S./Mexico border. Read more…
Sundance 2026: Bedford Park
For her feature-length directorial debut, “Bedford Park,” writer/director Stephanie Ahn expands on her 2023 short “Accident”. It’s a study of two second-generation immigrants who initially seem like polar opposites but come to recognize their similarities as the tenderhearted New Jersey story unfolds. It all starts with a short-tempered meet-cute after a motor vehicle collision. It’s rare to find a story this delicately grounded and unhurried, with relatable people dealing with their problems and gradual romance in realistic ways. Read more…
Sundance 2026: Rock Springs
Horror movies have become quite commonplace at film festivals, not to mention weekly releases (there are two this weekend), so not all of them are unique or good, let alone both. Regardless of a director’s affinity for the genre, it takes an extra something to stand out amid all the options for horror aficionados. In her feature-length debut, “Rock Springs”, director Vera Miao, a self-professed horror fan, offers something different by linking an ugly, albeit unknown part of American history to a modern-day tale of grief. While it doesn’t always work, the tonal ambitions of this supernatural thriller are admirable, and the inherited trauma and resilient diaspora on display are noteworthy. Read more…
Sundance 2026: The Best Summer
“The Best Summer” is titled after the phrase people often use when reminiscing about a specific summer with fondness. We’ve all used it at some point, even if only in thought. Some memories of summer are more vivid than others, like pulling out archives of nostalgia. That’s literally what director Tamra Davis did when she discovered a box of videotapes she had shot back in 1995 and 1996 at a little-known Australian indie music festival called Summersault, while evacuating her home during the January 2025 Palisades fire in California. Read more…
Sundance 2026: Chasing Summer
The latest film from director Josephine Decker isn’t as stylishly artful as her previous films, 2018’s “Madeline’s Madeline” and 2020’s “Shirley,” and some may be disappointed by that. For the millennial coming-of-middle-age dramedy “Chasing Summer”, Decker aligns herself with the wild and fun sensibilities of its screenwriter and star, Ilisa Shlesinger, and the result is a story that is hilarious, charming, and sexy. While the two women grew up in different Dallas suburbs, they have fun here, bringing together Shlesinger’s whip-smart, rapid-fire dialogue with Decker’s vibrant approach to a big studio comedy. These relatably flawed and funny characters, offered from a female’s perspective, are a blast to hang out with. Read more…
THE MORRIGAN (2026) review
written by: Colum Eastwood
produced by: Ashley Holberry and Gavin Cosmo Mehrtens
directed by: Colum Eastwood
rated: R (for some sexual content, graphic nudity, language and brief violence)
runtime: 96 min.
U.S. release date: February 3, 2026 (VOD)
“This is god’s work, Sean. He’ll forgive us for what we have to do today.”
If the UK and Ireland seem to have a stranglehold on folk horror, it’s likely due to the subgenre’s emergence in the late 60s and early 70s with some distinctively British folk horror films like “Blood on Satan’s Claw” and, of course, “The Wicker Man.” In fact, UK and Irish filmmakers continue cranking out entries in the subgenre, with the last few years bringing us such notable films as Mark Jenkin’s “Enys Men,” Ben Wheatley’s “In the Earth,” Kate Dolan’s “You Are Not My Mother,” Damian McCarthy’s “Oddity,” and Alex Garland’s “Men.”
Sundance 2026: Closure
At around 4 am on May 27th, 2023, 16-year-old Krzysztof “Chris” Dymiński snuck out of his family home in Ożarów Mazowiecki, hopped on a bus to Warsaw, and walked to the center of the Gdański Bridge, above the Vistula River. He was captured on a rotating CCTV camera, standing motionless, staring at the water below for about 20 minutes. The camera swiveled away and back within 3 minutes, and the boy was gone, never to be seen again. Read more…
Sundance 2026: Nuisance Bear
Two things occur at the beginning of “Nuisance Bear” that catch our hearts and curiosity. There’s an undeniably adorable shot of a mother polar bear and her two cubs lying on the snowy ground. It’s striking in its peacefulness and its incredibly up-close proximity. The other thing we don’t just see but also hear is the voice of Mike Tunalaaq Gibbons, who speaks to us in his beautiful Eastern Canadian Inuktitut dialect, his soulful, weathered face conveying endless stories. The elder patiently tells us, “I’ve never told this story before. It may seem like a simple story, but no story is ever a simple story.” From those two things, I was hooked and anticipated what kind of story the directors Gabriela Oso Vanden and Jack Weisman would share in their curiously titled documentary. Read more…
THE WRECKING CREW (2026) review
written by: Jonathan Tropper
produced by: Jeffrey Fierson, Jason Momoa, Dave Bautista, Matt Reeves & Lynn Harris
directed by: Ángel Manuel Soto
rated: R (for strong bloody violence, sexual material, pervasive language and some drug use)
runtime: 122 min.
U.S. release date: January 28, 2026 (Prime Video)
“The Wrecking Crew” is not the latest MCU entry (if you know, you know), but rather an attempt to update the buddy cop action comedies of the late 80s/early 90s. From the outside looking in, it would seem that Dave Bautista and Jason Momoa would be the perfect duo to revive the subgenre. Sure, there’s an expectation of loud testosterone-fueled behavior, but here are two actors who are capable of giving more than that. They just need the right material to show their range. Sadly, this isn’t it. Read more…
