THE LITTLE MERMAID (2023) review
written by: David Magee
produced by: Marc Platt, Lin-Manuel Miranda, John DeLuca & Rob Marshall
directed by: Rob Marshall
rated: PG (for action/peril and some scary images)
runtime: 135 min.
U.S. release date: May 26, 2023
Most of Disney’s live-action remakes of their animated classics have ranged from mediocre to awful, save for a select few. Since there’s unfortunately no sign of the studio rethinking this tactic, one has to wonder if there will ever be one of these to come along and make us think otherwise about what a bad idea all of this is. Well, don’t look at “The Little Mermaid” for your answer. You won’t find it in this update of the Ron Clements and John Musker’s musical classic of the same name from 1989, itself based on the Hand Christian Anderson fairy tale. When fans of that beloved classic see director Rob Marshall’s iteration, there’s really no getting around how each shot, song, line of dialogue and story development, will be predicted – so, where’s the draw? Read more…
KANDAHAR (2023) review
written by: Mitchell LaFortune
produced by: Basil Iwanyk, Erica Lee, Brandon Boyea, Gerard Butler, Alan Siegel, Christian Mercuri, Scott LaStaiti & Ali Jaafar
directed by: Ric Roman Waugh
rated: R (for violence and language)
runtime: 120 min.
U.S. release date: May 26, 2023
Gerard Butler and Ric Roman Waugh have a good thing going. They make action flicks that are better than anyone expects them to be. “Angel Has Fallen” was the first one the Scottish actor and American director made together, a surprisingly solid sequel that became a hit and then came another one, the end-of-the-world disaster thriller, “Greenland” in 2020. Now the pair reunite for a third collaboration with “Kandahar”, a modern-day action thriller with spy elements that is essentially a character study and an enthralling one at that. It’s a movie that subverts expectations by provided more than just nonstop action, focusing on the motivations and personalities of the characters we’re introduced to in a more geopolitical storyline. Read more…
There were two films that screened at the recent Chicago Critics Film Festival (CCFF) that felt like they were cut from the same cloth. Both “The Unknown Country” and “Waiting for the Light to Change” were made by female filmmakers and both films revolve around young female characters on their own personal journey, external and/or internal. By combining stunning pastoral visuals and an overall naturalistic and lyrical style, both in performances and mise-en-scène, these two independent films offer a distinctive viewing experience. Read more…
L’IMMENSITÀ (2023) review
written by: Emanuele Crialese, Francesca Manieri and Vittorio Moroni
produced by: Lorenzo Gangarossa, Mario Gianani and Dimitri Rassam
directed by: Emanuele Crialese
rated: not rated
runtime: 97 min.
U.S. release date: May 12, 2023 & May 19, 2023 (limited)
“L’Immensità” is the latest film from Italian writer/director Emanuele Crialese and it is his most personal to date, an autobiographical story that can almost be viewed as a memoir. In it, Crialese is drawing upon his own experiences as a transgender preteen and not only how he viewed the world through a specific lens, but also how he viewed his mother. Tonally, Crialese deftly balances a vibrant whimsy to the evocative family drama, with the weight of a dysfunctional family and conservative expectations. Read more…
CCFF 2023: Birth/Rebirth & Brooklyn 45
On May 6th, the evening of the first full day of the Chicago Critics Film Festival (CCFF), gave film enthusiasts a double dose of horror at the Music Box Theatre. The horror genre is huge lately, with a new movie coming out at least monthly, if not more. However, it’s rare to see a horror flick steer clear of jump scares, gore, or high kill counts. Thankfully, “Birth/Rebirth” and “Brooklyn 45” are ambitious independent films that are aiming for something more substantive within the genre – one of them succeeds, while another doesn’t quite stick the landing. Read more…
CCFF 2023: Afire & A Disturbance in the Force
Saturday, May 6th was Day 2 (and technically the first full day) at the Chicago Critics Film Festival (CCFF) and it was indeed quite a full day for yours truly. I started by watching the first narrative feature of the day at 2:15pm, “Afire” (a German drama known as “Roter Himmel”) and stayed till midnight for a documentary screening (“A Disturbance in the Force”). Thankfully, I had a couple hours of break time in the late afternoon, since I had already seen the film that was playing at that time, which provided for a chance to walk around a grab some nearby sustenance with fellow film enthusiasts. The vast difference between these two films should be a prerequisite for any film festival and confirms that CCFF, in its 10th year, is doing it right. Read more…
CCFF 2023: BlackBerry & Sanctuary
The 10th Chicago Critics Film Festival kicked off to a crowded house at the Music Box Theatre on Friday night, May 5th! That’s really no surprise considering the reputation its earned over the years as a must-attend event for film enthusiasts…not just those local to Chicago, but from all over. The two films that opened the festival couldn’t be more different, but that gives viewers an idea of the kind of eclectic selections that will be on display through Thursday, May 11th. Read more…
GUARDIANS OF THE GALAXY VOL. 3 (2023) review
written by: James Gunn
produced by: Kevin Feige
directed by: James Gunn
rated: PG-13 (for intense sequences of violence and action, strong language, suggestive/drug references and thematic elements)
runtime: 150 min.
U.S. release date: May 5, 2024
Without a doubt, the characters that compose the Guardians of the Galaxy team are best represented when writer/director James Gunn is at the helm. He gets outcasts and misfits and made significant albeit understandable changes to the comic book iterations of these characters for the Marvel Cinematic Universe (MCU). While other directors played with these characters in their own sandbox – namely the Russo brothers (the last two “Avengers” movies) and Taika Waititi (“Thor: Love and Thunder”) – it’s Gunn’s approach that left an indelible mark on these a-holes. With Gunn leaving Disney/Marvel to become the Kevin Feige of WB/DC, “Guardians of the Galaxy Volume 3” will be the last time we see the team from Gunn’s perspective and probably the last time they have their own movie. Read more…
CCFF 2023: Shorts Programs 1 & 2
Throughout the many film festivals I’ve attended over the years, there are often Shorts Programs included in the lineup and what I’ve learned is that there should be Shorts Programs in the lineup. It’s the best way to showcase a variety of storytelling and mediums in about an hour-and-a-half and to turn viewers on to emerging talent. There’s also a certain curiosity that come with watching Shorts, since the litmus test of a good one is whether or not the a director can utilize the timeframe in a sufficient and satisfying manner. Read more…
Chicago Critics Film Festival 2023 preview
It’s hard to believe that 10 years has passed since the very first Chicago Critics Film Festival! The inaugural event took place one weekend in May at what used to be called the Muvico theater in Rosemont, Illinois, with guests such as directors Sarah Polley, James Ponsoldt, and William Friedkin. The year after that, the CCFF stretched out it’s length to a week and took residency at the legendary Music Box Theatre in Chicago, which is where it’s been since and where it’s returning this week. Read more…
