THE FLASH (2023) review
written by: Christina Hodson
produced by: John Francis Daley, Jonathan Goldstein & Joby Harold
directed by: Andy Muschietti
rated: PG-13 (for sequences of violence and action, some strong language and partial nudity)
runtime: 144 min.
U.S. release date: June 16, 2023
This is the year we will likely see the last of the DC Extended Universe (DCEU) superhero movies from Warner Brothers/DC Comics. After “Black Adam” and “Shazam: Fury of the Gods” tanked, the decision to shelve it all and hand the reigns over the co-chair/co-CEO reins to James Gunn and Peter Safran makes sense. They’ve been working on cleaning the slate and plotting out a whole new schedule for what’ll be called the DCU (it all sounds very MCU and that too makes sense) in hopes of creating better stories…not necessarily better movies, mind you, but better stories. So, before we get James Wan’s “Aquaman” sequel, there’s “The Flash”, which is the very first time the scarlet speedster headlines his own movie. Read more…
PAST LIVES (2023) review
written by: Celine Song
produced by: David Hinojosa, Christine Vachon & Pamela Koffler
directed by: Celine Song
rated: PG-13 (for some strong language)
runtime: 106 min.
U.S. release date: June 9, 2023 (select theaters) & June 23, 2023 (wide release)
I believe in love at first site and that it’s possible to have lifelong feelings for someone you perceived as your “first love”. That doesn’t mean you wind up with that person and it also doesn’t mean that if you were to go back in time and follow through and stay with that first love that everything would’ve worked out wonderfully. Nevertheless, the heart reserves a special place, one of tenderness, longing, and curiosity, for that first special someone that somehow either got away or never happened altogether. That place in the heart is true and real and it feels like that’s what writer/director Celine Song is touching on in “Past Lives”, her superb directorial debut that is one the very best films of the year. Read more…
SPIDER-MAN: ACROSS THE SPIDER-VERSE (2023) review
written by: Phil Lord, Christopher Miller and David Callaham
produced by: Avi Arad, Amy Pascal, Phil Lord, Christopher Miller & Christina Steinberg
directed by: Joaquim Dos Santos, Kemp Powers and Justin K. Thompson
rated: PG (for sequences of animated action violence, some language and thematic elements)
runtime: 140 min.
U.S. release date: June 2, 2023
As I experienced “Spider-Man: Across the Spider-Verse”, I found myself wishing that every superhero movie could be animated. Think about it – no actors aging-out, no need to recast roles, and no rushed visual effects resulting in subpar quality. Sure, some stunt people might be out of work, but hey, less liability. In animation, the opportunities are endless, just like the “anything goes” potential of the source material, and if the animated features would be this epic, immersive and flat-out amazing, why not? Read more…
THE LITTLE MERMAID (2023) review
written by: David Magee
produced by: Marc Platt, Lin-Manuel Miranda, John DeLuca & Rob Marshall
directed by: Rob Marshall
rated: PG (for action/peril and some scary images)
runtime: 135 min.
U.S. release date: May 26, 2023
Most of Disney’s live-action remakes of their animated classics have ranged from mediocre to awful, save for a select few. Since there’s unfortunately no sign of the studio rethinking this tactic, one has to wonder if there will ever be one of these to come along and make us think otherwise about what a bad idea all of this is. Well, don’t look at “The Little Mermaid” for your answer. You won’t find it in this update of the Ron Clements and John Musker’s musical classic of the same name from 1989, itself based on the Hand Christian Anderson fairy tale. When fans of that beloved classic see director Rob Marshall’s iteration, there’s really no getting around how each shot, song, line of dialogue and story development, will be predicted – so, where’s the draw? Read more…
KANDAHAR (2023) review
written by: Mitchell LaFortune
produced by: Basil Iwanyk, Erica Lee, Brandon Boyea, Gerard Butler, Alan Siegel, Christian Mercuri, Scott LaStaiti & Ali Jaafar
directed by: Ric Roman Waugh
rated: R (for violence and language)
runtime: 120 min.
U.S. release date: May 26, 2023
Gerard Butler and Ric Roman Waugh have a good thing going. They make action flicks that are better than anyone expects them to be. “Angel Has Fallen” was the first one the Scottish actor and American director made together, a surprisingly solid sequel that became a hit and then came another one, the end-of-the-world disaster thriller, “Greenland” in 2020. Now the pair reunite for a third collaboration with “Kandahar”, a modern-day action thriller with spy elements that is essentially a character study and an enthralling one at that. It’s a movie that subverts expectations by provided more than just nonstop action, focusing on the motivations and personalities of the characters we’re introduced to in a more geopolitical storyline. Read more…
There were two films that screened at the recent Chicago Critics Film Festival (CCFF) that felt like they were cut from the same cloth. Both “The Unknown Country” and “Waiting for the Light to Change” were made by female filmmakers and both films revolve around young female characters on their own personal journey, external and/or internal. By combining stunning pastoral visuals and an overall naturalistic and lyrical style, both in performances and mise-en-scène, these two independent films offer a distinctive viewing experience. Read more…
L’IMMENSITÀ (2023) review
written by: Emanuele Crialese, Francesca Manieri and Vittorio Moroni
produced by: Lorenzo Gangarossa, Mario Gianani and Dimitri Rassam
directed by: Emanuele Crialese
rated: not rated
runtime: 97 min.
U.S. release date: May 12, 2023 & May 19, 2023 (limited)
“L’Immensità” is the latest film from Italian writer/director Emanuele Crialese and it is his most personal to date, an autobiographical story that can almost be viewed as a memoir. In it, Crialese is drawing upon his own experiences as a transgender preteen and not only how he viewed the world through a specific lens, but also how he viewed his mother. Tonally, Crialese deftly balances a vibrant whimsy to the evocative family drama, with the weight of a dysfunctional family and conservative expectations. Read more…
CCFF 2023: Birth/Rebirth & Brooklyn 45
On May 6th, the evening of the first full day of the Chicago Critics Film Festival (CCFF), gave film enthusiasts a double dose of horror at the Music Box Theatre. The horror genre is huge lately, with a new movie coming out at least monthly, if not more. However, it’s rare to see a horror flick steer clear of jump scares, gore, or high kill counts. Thankfully, “Birth/Rebirth” and “Brooklyn 45” are ambitious independent films that are aiming for something more substantive within the genre – one of them succeeds, while another doesn’t quite stick the landing. Read more…
CCFF 2023: Afire & A Disturbance in the Force
Saturday, May 6th was Day 2 (and technically the first full day) at the Chicago Critics Film Festival (CCFF) and it was indeed quite a full day for yours truly. I started by watching the first narrative feature of the day at 2:15pm, “Afire” (a German drama known as “Roter Himmel”) and stayed till midnight for a documentary screening (“A Disturbance in the Force”). Thankfully, I had a couple hours of break time in the late afternoon, since I had already seen the film that was playing at that time, which provided for a chance to walk around a grab some nearby sustenance with fellow film enthusiasts. The vast difference between these two films should be a prerequisite for any film festival and confirms that CCFF, in its 10th year, is doing it right. Read more…
CCFF 2023: BlackBerry & Sanctuary
The 10th Chicago Critics Film Festival kicked off to a crowded house at the Music Box Theatre on Friday night, May 5th! That’s really no surprise considering the reputation its earned over the years as a must-attend event for film enthusiasts…not just those local to Chicago, but from all over. The two films that opened the festival couldn’t be more different, but that gives viewers an idea of the kind of eclectic selections that will be on display through Thursday, May 11th. Read more…
