Written by: Laeta Kalogridis (screenplay) and Dennis Lehane (novel)
Produced by: Brad Fischer, Mike Medavoy, Arnold Messer, and Martin Scorsese
Directed by: Martin Scorsese
Rated R for disturbing violent content, language, and some nudity
138 min.
U.S. Release Date: February 19, 2010
There are two major themes that are woven through director Martin Scorsese’s body of work: violence, and the effect that violence has on the human psyche. The Oscar-winning director’s latest release, “Shutter Island”, is no different. The film manages to take the audience on a psychological tailspin along with the lead character as the troubled island and all of its mysteries take a toll on his mind. Is “Shutter Island” crazy for crazy’s sake, or is there a method to Scorsese’s madness?
U.S. Marshal Teddy Daniels (Leonardo DiCaprio) and his new partner, Chuck Aule (Mark Ruffalo), are assigning to investigate the disappearance of a patient at Boston Harbor’s Shutter Island Ashecliffe Hospital. As Daniels and Aule interview patients and workers at the hospital, it becomes clear that there is something more going on at Ashecliffe than a missing persons case. Patients are afraid to speak to the marshals, while the overseers and doctors (played excellently by Ben Kingsley and Max von Sydow) of the hospital seem to be hiding any information they can.
The deeper and deeper the marshals get into the goings on at the hospital, it becomes clear that Daniels is personally invested in this case and has a history with certain people on the island. The closer Daniels gets to some answers, the more reckless he becomes, and the more reckless he becomes, the tighter a grip the island seems to have on him. The plot will take you on many twists and turns, as the true characters of Teddy Daniels, Ashecliffe hospital, and Shutter Island become clearer, yet more twisted at the same time.
Now, back to the violence. “Shutter Island” explores the issue of violence, and the effect that violence has on the human mind. A typical Scorsese-trademarked picture is notorious for violence and the frivolous depiction of it. After creating so many films that are based around men using violence to get what they want and to get ahead in life, “Shutter Island” speaks like an introspective on Scorsese’s entire career.
Teddy Daniels is a veteran of World War II, a job that took him to a concentration camp on a mission of liberation. While at the camp, Daniels witnesses the aftermath of the horrific violence that took place during the Holocaust, and the various ways it effects the abused and perpetrators alike. Upon returning home, he loses his wife and child in a fire that engulfs his apartment building. Daniels is not the same person he once was prior to these events, and his brain is the most damaged result.
The issue is raised a few times throughout the film: are we, as humans, violent beings by nature? The warden at Ashecliffe certainly thinks so. In a brief conversation with Daniels about this topic, the warden says, “If I was the only thing standing between you and a meal, you’d crack my skull open with a rock.” Humans are wired to be survivalists, but is violence the first or last resort? After the effects that violence has on Teddy Daniels’s life, Scorsese makes the statement that humans aren’t made for it. Violence can cause the human mind to fracture, contort, and twist to forget it was ever a witness to it.
As a long-time Scorsese fan, I can confidently say that this is one of the finer pieces of work he has produced in quite a while. The visual elements of this film are executed impeccably, as Scorsese paints a dark and foreboding picture of Shutter Island that is so vivid, it acts as a character unto itself. Thelma Schoonmaker (Scorsese’s long-time editor) pieces the film’s shots together to tell a visual story that will still be effective after several viewings. Even this early on in the year, I can say that I expect to see Schoonmaker on the short list of nominees for Best Editing at the Oscars (an award she has won three times previously – all for Scorsese films).
From a storytelling perspective, “Shutter Island” gives you much more than just what is shown on the screen. Many times, after a film is done, the afterthought of the experienced film is simply not there. For this film, value will continue to be extracted from the ticket price even days after a viewing. Continuing to think about and explore the themes of this movie is almost as much fun as the initial viewing itself.
As Teddy Daniels, Leonardo DiCaprio again proves why he is easily one of the best actors of his generation. The complexity of Teddy Daniels as a character is translated seamlessly to the screen by DiCaprio, as the audience will experience all the physical and psychological anguish of this character throughout this difficult journey.
Many “pundits” have argued that Scorsese’s Best Picture and Best Director wins at the 2007 Academy Awards for “The Departed” were “body of work” awards, and they quite possibly were. Coming off of those wins, there is definitely no “Oscar lull” for Scorsese. After seeing this movie, I am upset that “The Departed” got all the praise it did because “Shutter Island” deserves all of that praise and more. The issues that this film brings up not only makes me want a second viewing, but also a chance to re-watch some of Scorsese’s old classics after learning the perspective that he shares in “Shutter Island”.